Lubat

Artisticiel Lubat

Bernard Lubat pursues a jazz experiment which is "TOO BOT to be true": cyber-human improvisations with the

computer under the aliases of Djazz, OMax, and SoMax, three pieces of software created and operated by

Gérard Assayag and Marc Chemillier, who are researchers and craftsmen as well as musicians.

After Lubat/Luc, Lubat/Sclavis and Lubat/Portal, the dialogue becomes cyber-human. From these experiments

of collective indiscipline, either live or in the lab, both the unthought and the unthinkable emerges: a naturalartificial

form of jazz. In turn, this raises questions and discussions on the ways artificial intelligence can be

applied to music, as well as the philosophical, social and creative implications of such new interplay within the

realm of musicality.